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Contents
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- The Twilight of the Avant-Garde
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Bibliography
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- The Twilight of the Avant-Garde
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10 - Lola Velasco's El movimiento de las flores and the Limits of Criticism
- from Part Three - Women Poets of the 1980s and 1990s
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Acknowledgments
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Part One - The Avant-Garde and its Discontents: The Place of Poetry in Contemporary Spanish Culture
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Part Two - Valente, Gamoneda, and the “Generation of the 1950s”
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7 - Gender Under Erasure (Amparo Amorós, Luisa Castro)
- from Part Three - Women Poets of the 1980s and 1990s
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- The Twilight of the Avant-Garde
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Index
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The Twilight of the Avant-Garde
- Spanish Poetry 1980-2000
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1 - Aesthetic Conservatism in Recent Spanish Poetry
- from Part One - The Avant-Garde and its Discontents: The Place of Poetry in Contemporary Spanish Culture
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- The Twilight of the Avant-Garde
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Preface
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9 - Concha García: The End of Epiphany
- from Part Three - Women Poets of the 1980s and 1990s
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5 - José Ángel Valente's Lectura de Paul Celan: Translation and the Heideggerian Tradition in Spain
- from Part Two - Valente, Gamoneda, and the “Generation of the 1950s”
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2 - Three Apologies for Poetry
- from Part One - The Avant-Garde and its Discontents: The Place of Poetry in Contemporary Spanish Culture
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- The Twilight of the Avant-Garde
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Frontmatter
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6 - Antonio Gamoneda's Libro de los venenos: The Limits of Genre
- from Part Two - Valente, Gamoneda, and the “Generation of the 1950s”
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Part Three - Women Poets of the 1980s and 1990s
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4 - In Search of Ordinary Language: Revisiting the “Generation of the 1950s”
- from Part Two - Valente, Gamoneda, and the “Generation of the 1950s”
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3 - Poetry, Politics, and Power
- from Part One - The Avant-Garde and its Discontents: The Place of Poetry in Contemporary Spanish Culture
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- The Twilight of the Avant-Garde
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8 - Desire Deferred: Ana Rossetti's Punto umbrío
- from Part Three - Women Poets of the 1980s and 1990s
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